Read e-book online Works of Music: An Essay in Ontology PDF

during this unique and iconoclastic e-book, Julian Dodd argues for what he phrases the straightforward view of the ontological nature of works of natural, instrumental song. This account is the conjunction of 2 theses: the type/token concept and sonicism. The type/token concept addresses the query of which ontological classification musical works fall lower than, and its solution is that such works are forms whose tokens are sound-sequence-events. Sonicism, in the meantime, addresses the query of the way works of tune are individuated, and it tells us that works of song are exact simply in case they sound precisely alike. either conjuncts of the straightforward view are hugely debatable, and Dodd defends them vigorously and with ingenuity. even supposing the easy view is favoured by means of only a few writers within the philosophy of song, Dodd continues that it's the default place given our traditional intuitions approximately musical works, that it could solution the kinds of objections that experience led different philosophers to brush off it, and that it's, looking back, the main promising ontology of tune on offer.Specifically, Dodd argues that the type/token concept deals the simplest clarification of the repeatability of works of tune: the truth that such works admit of a number of incidence. moreover, he is going directly to declare that the theory's so much awesome final result - specifically, that musical works are everlasting existents and, for that reason, that composers notice instead of create their works - is minimally disruptive of our intuitions about the nature of composition and our appreciation of works of track. by way of sonicism, Dodd argues either that this manner of individuating works of song is prima facie right, and that the putative counter-examples it faces - such a lot significantly, these propounded via Jerrold Levinson - will be harmlessly defined away. within the ontology of track, simplicity rules.